While somewhat bizzare, Akhenaten was one of the most influencial, significant Pharoahs.

Controversial in death as in life, Akhenaten was first known as Amenhotep IV. He was a Pharaoh of the Eighteenth dynasty of Egypt. He is especially noted for attempting to compel the Egyptian population in the monotheistic worship of Aten, although there are doubts as to how successful he was at this. Never the less, to some scholars Akhenaten is considered the father of the western concept of monotheism... the worship of one god.

He was born to Amenhotep III and his Chief Queen Tiye and was their younger son. Akhenaten was not originally designated as the successor to the throne until the untimely death of his older brother, Thutmose.

Amenhotep IV succeeded his father after Amenhotep III's death at the end of his 38-year reign, possibly after a short coregency lasting between either 1 to 2 years. Akhenaten's chief wife was Nefertiti, made world-famous by the discovery of her exquisitely moulded and painted bust, now displayed in the Altes Museum of Berlin, and among the most recognised works of art surviving from the ancient world.

The appeal of the Amarna period

Some people are drawn by interest in Akhenaten himself or his religion, others by a fascination with the unusual art which appeals strongly to the tastes of modern viewers and provides a sense of immediacy rarely felt with traditional Egyptian representation. The radical changes Akhenaten made have led to his characterisation as the 'first individual in human history' and this in turn has led to endless speculation about his background and motivation; he is cast as hero or villain according to the viewpoint of the commentator.

Akhenaten came to the throne of Egypt around 1353 BC. The reign of his father, Amenhotep III, had been long and prosperous with international diplomacy largely replacing the relentless military campaigning of his predecessors. The reign culminated in a series of magnificent jubilee pageants celebrated in Thebes (modern Luxor), the religious capital of Egypt at the time and home to the state god Amun-Re. The new king was crowned as Amenhotep IV (meaning 'Amun is content') and temple construction and decoration projects began immediately in the name of the new king. The earliest work of his reign is stylistically similar to the art of his predecessors, but within a year or two he was building temples to the Aten or divinised sun-disk at Karnak in a very different artistic style and had changed his name to Akhenaten in honour of this god.

Akhenaten's 'great king's wife' was Nefertiti and they had six daughters. There were also other wives, including the enigmatic Kiya who may have been the mother of Tutankhamun. Royal women play an unusually prominent role in the art of the period and this is particularly true of Nefertiti who is frequently depicted alongside her husband. Nefertiti disappears from the archaeological record around year 12 and some have argued that she reappears as the enigmatic co-regent Smenkhkare towards the end of Akhenaten's reign.

Moses and Akhenaten

The idea of Akhenaten as the pioneer of a monotheistic religion that later became Judaism has been considered by some scholars. One of the first to mention this was Sigmund Freud, the founder of psychoanalysis, in his book Moses and Monotheism. Freud argued that Moses had been an Atenist priest forced to leave Egypt with his followers after Akhenaten's death. Freud argued that Akhenaton was striving to promote monotheism, something that the biblical Moses was able to achieve. Following his book, the concept entered popular consciousness and serious research.

Other scholars and mainstream Egyptologists point out that there are direct connections between early Judaism and other Semitic religious traditions. They also state that two of the three principal Judaic terms for God, Yahweh, Elohim (meaning roughly "the lofty one", morphologically plural), and Adonai (meaning "our lord", also morphologically plural) have no connection to Aten.[citation needed] Freud commented on the connection between Adonai, the Egyptian Aten and the Syrian divine name of Adonis as a primeval unity of language between the factions; in this he was following the argument of Egyptologist Arthur Weigall, but the argument was groundless as 'Aten' and 'Adonai' are not, in fact, linguistically related.

Akhenaten appears in history almost two-centuries before the first archaeological and written evidence for Judaism and Israelite culture is found in the Levant. Abundant visual imagery of the Aten disk was central to Atenism, which celebrated the natural world, while such imagery is not a feature of early Israelite culture,  Although pottery found throughout Judea dated to the end of the 8th century BC have seals resembling a winged sun disk burned on their handles, presumedly thought to be the royal seal of the Judean Kingdom. Ahmed Osman has claimed that Akhenaten's maternal grandfather Yuya was the same person as the Biblical Joseph. Egyptologists reject this view because Yuya had strong connections to the city of Akhmin in Upper Egypt, which is indicated in his title "Overseer of the Cattle of Min at Akhmin. Hence, he most likely belonged to the regional nobility of Akhmim. This makes it very unlikely that he was an Israelite, as most Asiatic settlers tended to cloister around the Nile delta region of Lower Egypt. Some Egyptologists, however, give him a Mitannian origin. It is widely accepted that there are strong similarities between Akhenaten's Great Hymn to the Aten and the Biblical Psalm 104, though this form is found widespread in ancient Near Eastern hymnology both before and after the period and whether this implies a direct influence or a common literary convention remains in dispute.

The aftermath

Akhenaten died in his seventeenth year on the throne and his reforms did not survive for long in his absence. His co-regent Smenkhkare, about whom we know virtually nothing, appears not to have remained in power for long after Akhenaten's death. The throne passed to a child, Tutankhamun (originally Tutankhaten) who was probably the son of Akhenaten and Kiya. The regents administering the country on behalf of the child soon abandoned the city of Akhetaten and the worship of the Aten and returned to Egypt's traditional gods and religious centres. The temples and cults of the gods were restored and people shut up their houses and returned to the old capitals at Thebes and Memphis.

Over time, the process of restoration of traditional cults turned to whole-scale obliteration of all things associated with Akhenaten. His image and names were removed from monuments. His temples were dismantled and the stone reused in the foundations of other more orthodox royal building projects. The city of Akhetaten gradually crumbled back into the desert. His name and those of his immediate successors were omitted from official king-lists so that they remained virtually unknown until the archaeological discoveries at Akhetaten and in the tomb of Tutankhamun made these kings amongst the most famous of all rulers of ancient Egypt.

Source: BBC and Wikipedia