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Casting Call - "Raw"
http://www.gbmnews.com/articles/4146/1/Casting-Call---Raw/Page1.html
Harlequin .
Your server seeking out theatrical opportunities for your pleasure 
By Harlequin .
Published on 02/14/2009
 
RAW : No More Secrets, No More Lies is a new Off-Broadway play that provocatively questions: what happens when six attractive, uniquely diverse men engage each other in candid conversations about sex —each one confessing his own indiscretions and sharing his inner most secrets?

The emotionally, psychologically, spiritually, and sexually charged confessions underscore embodied tensions and the spectrum of masculinities: from the conservativ e, outspoken man who feels that sex before marriage is wrong, to the confused superstar concerned about his reputation, to the man who wants to be set free from his past sexual addictions.

The audience encounters different male personas masked by sexual objectification (seen perhaps as mere sex objects or phallus images). Reflecting upon their personal observations and private experiences, these men unclothe themselves layer by layer, revealing their God-given bodies and unmasking the complexities of their bondage; including tainted pasts, anxieties of the future, economic woes, cultural boundaries, homophobia, taboos of nu dity, and other issues intersecting race, sexuality, and masculinity. “Raw”, these six men openly proclaim “no more” to the “secrets and lies” which all men, women, and curious audiences can relate to.


Casting Call:" Raw"
RAW : No More Secrets, No More Lies is a new Off-Broadway play that provocatively questions: what happens when six attractive, uniquely diverse men engage each other in candid conversations about sex —each one confessing his own indiscretions and sharing his inner most secrets?

The emotionally, psychologically, spiritually, and sexually charged confessions underscore embodied tensions and the spectrum of masculinities: from the conservativ e, outspoken man who feels that sex before marriage is wrong, to the confused superstar concerned about his reputation, to the man who wants to be set free from his past sexual addictions.

The audience encounters different male personas masked by sexual objectification (seen perhaps as mere sex objects or phallus images). Reflecting upon their personal observations and private experiences, these men unclothe themselves layer by layer, revealing their God-given bodies and unmasking the complexities of their bondage; including tainted pasts, anxieties of the future, economic woes, cultural boundaries, homophobia, taboos of nu dity, and other issues intersecting race, sexuality, and masculinity. “Raw”, these six men openly proclaim “no more” to the “secrets and lies” which all men, women, and curious audiences can relate to.