Antoine Craigwell
Antoine B. Craigwell graduated from Bernard M. Baruch College of the City University of New York with a double major in psychology and journalism. As a journalist, he has written for several publications. His articles have appeared in Fortune Small Business (FSB), the Villager Newspapers in Northeastern Connecticut, The Bronx Times Reporter and The Bronx Times, The Amsterdam News, and recently for The Network Journal, in New York City.
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Articles by this Author
Interregnum: The Between Time
- By Antoine Craigwell
- Published 02/8/2009
- Commentary & Opinion- Op-Ed
- Unrated
The second in a series of reflectionsBy Antoine Craigwell
Obama, should remember only too well the Roman observation: how fickle the populace of Rome - who briefly rejoiced in the victories of Pompeii and before the last sound of praise could be heard in his honor, turned against and reviled him. If he cannot deliver on the promises, like every politician before him, he has made, he would be hounded out of office in infamy. He is a lawyer and like all of his profession, he has over the last several weeks, since the elections, when the campaigning was over and he became starkly aware that his rhetoric had now to become practical, began to cover himself with a disclaimer.
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| Not wanting to seem as though he has stepped away from his promises of change, he has begun to temper the expectations he created in the people of what he would do. In the later days of the interregnum, he has changed his tune, repeatedly he has cautioned that in the first 100 days of his administration, he may not be able to meet all the expectations people have of him, not that he has created in a people thirsty and desperate for a new American direction, and more importantly, being able to fulfill the promises he made to win; admitting to the possibility of making mistakes and missteps.
His electoral victory was a demonstration of who could fool all of the people better; everyone saw through Sen. John McCain's weak political strategies and rejected his posturing as a continuation of a Republican party steeped in the corrupt machinery born and developed since the Regan presidential era. |
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HIV Infections rise among young Black men
- By Antoine Craigwell
- Published 02/8/2009
- HIV & AIDS News
- Unrated
Report from National Black AIDS Institute
By Antoine Craigwell
Commemorating the National AIDS Awareness Day, February 7, and reiterating the 2008 statistics of the U.S. Center for Disease Control (CDC), the National Black AIDS Institute today issued its annual report of the State of AIDS in Black America.
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| Download Full Report Here |
| Download Executive Summary Here |
| Learn how to take action here |
According to the Institute's report, the premier national Black AIDS service organization, the number of Black Americans, who constitute 13 percent of the U.S. population, but 45 percent of all who are HIV positive and living with AIDS, is greater than the populations of Ethiopia, Botswana, Haiti and Guyana combined.
But, the report says, drawing on a new president and legislature amenable to, and a Black America more willing to engage in discussion about HIV and AIDS issues, "could create real, lasting change in the course of the U.S. AIDS epidemic."
Announced in a press release from the Institute's Los Angeles, CA office, by Phill Wilson, the Institute's CEO, the report Making Change Real: The State of AIDS in Black America 2009, was co-written by Kai Wright and Myisha Patterson-Gatson. The report draws not only on the statistics of the CDC, but on the testimonies of epidemiological professionals, Dr. Anthony Fauci, director, National Institute of Allergy and Infectious Diseases in the National Institutes of Health; and Dr. Kevin Fenton, director, National Center for HIV/AIDS, Viral Hepatitis, STD and TB Prevention with the CDC; as well as individual people from different parts of the country to highlight the nationwide impact and effect of the virus.
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| Phil Wilson |
"With our country facing so many challenges-two wars, a financial meltdown and the growing threat of environmental devastation-it may be tempting to relegate the AIDS epidemic to the back burner of national priorities. That would be a grave mistake," says Wilson.
Using charts and graphs to demonstrate the stark racial disparities, the 76-page report addresses among other issues the amount of money committed, and spent on HIV and AIDS prevention and treatment in Black communities as well as highlights the sharply increased number of Black women and young men between 13 and 29-years-old who are infected with the virus. It also calls for the establishment of National AIDS Strategy to effectively address the epidemic of HIV and AIDS in Black communities.
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C. Virginia Fields asks, Why no sense of outrage?
- By Antoine Craigwell
- Published 02/8/2009
- HIV & AIDS News
- Unrated
NBLCA HIV/AIDS commemoration at NYC City HallBy Antoine Craigwell
(New York, NY) - The National Black Leadership Commission on AIDS (NBLCA) hosted its inaugural commemoration at City Hall on Thursday, Feb 5, as a precursor to the nationwide celebrations of Feb 7, National Black HIV/AIDS Awareness Day.
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| Rev. Alfonso Wyatt |
Close to 200 people gathered in City Hall's Council Chambers for a program on the State of HIV/AIDS in Black America which was presented by NBLCA, and which included State Senator Bill Perkins (D-30th Senate District), Council Members Inez Dickens (D-Council District 9), Robert Jackson (D-Council District 7), and Alan Gerson (D-Council District 1).
The program's master of ceremonies was Rev. Alfonso Wyatt, chair, NBLCA-NYC, who introduced Dickens and Jackson, each of whom made remarks. As the co-chair of the Council's Black, Latino and Asian Caucus, Jackson, drawing a comparison to the tuberculosis test he had as a child, he said that everyone needs to know their HIV status. Continuing along the vein of personal commitment to his community, he said since he has been making blood donations annually, now he gives platelets and is a registered organ and bone marrow donor. As the Majority Whip in the City Council, Dickens spoke of the representation of change with a new president, but said that despite the complications, HIV must be a priority.
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| C. Virginia Fields |
To set the stage for the keynote address, there was a showing of an excerpt from the ABC News documentary, Out of Control - AIDS in Black America which was aired on Aug 24, 2006.
C. Virginia Fields presented the key note address. After acknowledging and recognizing various people in the audience, including the NBCLA staff, she said that almost three years and three decades later Black people nationwide are still facing some of the same issues; the HIV crisis is far from over. She quoted statistics from the U.S. Center for Diseases Control and from the National Medical Association (NMA) report, Addressing the HIV/AIDS Crisis in the African American Community: Fact, Fiction and Policy.
Drawing comparisons between the numbers of Blacks in America who are HIV positive, Fields said that it was greater than the populations of Ethiopia, Botswana, Haiti and Guyana, combined.
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Election: Hope and Change Mantra
- By Antoine Craigwell
- Published 01/31/2009
- Commentary & Opinion- Op-Ed
- Unrated
By Sr. Correspondent, Antoine Craigwell
(This is the first in a series of reflections on what an Obama presidency means.)
As the celebrations from the night, when it was announced that Sen. Barack Obama, by majority of the electoral college and later confirmed by pronouncement by the combined houses of the legislature, had won the elections and was named President-elect, had given way to the stark reality of daylight, in Washington Heights trees lining the streets were festooned with toilet paper hanging from branches as if it was the morning after a festival, presenting a surreal image as if New Years had arrived early on November 5th.
| In a country steeped in racism, both subtle and overt, what really does an Obama win actually mean for Americans: Native Americans, Blacks, Hispanics, Asians and Whites? What did his win against a weakened religious conservative political right mean for immigrants, those from Central and South America, from the Caribbean, from Africa, from Asia, minor and major? Did the White majority in the country say that by electing a Black man as president that they have moved pass the bigotry for which they are known, that they now recognize that Black people are capable of thinking, of governing, of being responsible and are not lazy, lay-abouts, welfare dependents? Is the White establishment now saying that they are willing to take orders from a Black man, consoling themselves by the fact that the president is half Black and half White, and that they had in fact voted for his White half? As a friend, Clarence Reynolds, a book editor and an English professor at Brooklyn College in Brooklyn said while watching the results come in from across the country that he felt overwhelmed by the experience that here is a Black man becoming president of the United States. |
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LGBT and Homeless in NYC: What to do if LGBT and homeless?
- By Antoine Craigwell
- Published 01/25/2009
- Youth
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Rating:




By Sr. Correspondent, Antoine CraigwellPhotography courtesy of Lucky Michaels, Sylvia's Place
(New York, NY) Sitting opposite me in a subway car as the A train rolled through a tunnel in Brooklyn was a light skinned Black young man, seemingly between 17 or 19-year-old, dressed in New York's black uniform: black sweater, black jacket, and black cargo pants, with black boots.
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It was Thanksgiving night about 11:30 p.m., and the temperature outside was close to freezing. Feeling satisfied and thinking of sleep, I was returning home from celebrating the holiday with my family when I was roused from my near sleeping state by the sound of conversation cutting into the hypnotic clickity-clack humming of the subway's wheels on the rails. The young man who was seated in a side facing seat had asked another young man in a forward facing seat, for a dollar. The young man looked over in my direction asking me if I spoke Spanish. Replying that I did, he asked me again what was it that the young man in black was asking, I enquired and translating from Spanish to English and English to Spanish, that the other young man didn't have any money. At which point the young man in black proceeded to shared with me his night's misfortune. He said he had recently moved to New York from Philadelphia to take a job which didn't work out, and had been asked to leave the place where he was staying. With no family and no place to go, he was trying to understand and to stitch something together for himself, if only for that night. |
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Book Review: The Gullible Girl's Guide to Gagging the Down-Low Brother
- By Antoine Craigwell
- Published 01/11/2009
- Book Reviews & Excerpts
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By Sr. Correspondent, Antoine Craigwell
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The Gullible Girl's Guide to Gagging the Down-Low Brother, by Aurora Della Croix. For women, recognizing and developing tools: when your man is a DLB |
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Published in 2008 by ADC Publishing, Jersey City, NJ 07306 | |
With the significant rise in HIV infections in Black women and troubled by the number of supposedly "straight" men seeking his attention and favors, a writer has published a book intending to provide women with the tools to recognize when their men are having sex or "creeping" with other men, and advises women how to protect themselves from confusion, hurt, and disease.
| Art by Eckhard Boeker |
| Although the title is long and cumbersome, The Gullible Girl's Guide to Gagging the Down-Low Brother, as an alliteration (GGGG), simulates the gagging sound when fellatio is attempted or improperly performed, and which the author presents as one of the factors women could recognize their men folk like, but are never quite satisfied when done by a woman.
The author, Aurora Della Croix - for protection from and out of concern for the repercussions of this book - wrote under a pseudonym. He earned a degree in political science and English literature from Lehman College, City University of New York, a master's in non-profit management, and is working on an online doctorate through Rushmore University. He said that it was necessary for women to be informed, not only with anecdotes, but for their own survival, as many Black women need to be protected from the spread of HIV, from men having sex with other men. "The ideal man won't tell his woman about this, but as an out gay man, I feel that I have to tell women about the Down-Low Brother or DLB men," the author said. |
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Personal Finance: Avoiding Investment Scams
- By Antoine Craigwell
- Published 01/4/2009
- Business News
- Unrated
Protect yourself with - knowledge, information, understandingBy Sr. Correspondent, Antoine B. Craigwell
The dross continues to rise to the top in the Wall Street meltdown with the exposure of Marc Drier's and Bernard Madoff's combined $50.113 billion scams; the latter's ignominy eclipsed the former, in a swindling one-up-man-ship, out scamming the other.
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In a Dec 16, 2008 press release, seeking to reassure investors, Fred Joseph, North American Securities Administrators Association (NASAA) president and Colorado Securities Commissioner, says, "While the vast majority of investment services providers are honest professionals, the potential for fraud should concern us all." Many investors have a sense of invulnerability, that loosing money happens to someone else and not to them, says John Gannon, senior vice president, Investor Education, Financial Industry Regulatory Authority (FINRA), and because of embarrassment, many do not report that they have been scammed. | |
| "Anyone, regardless of income, education, or profession, can become a victim when unscrupulous individuals use the growing field of financial advice to line their own pockets," Joseph says. | |
| "The risk of fraud is magnified as investors seek higher returns in today's troubled markets." | |
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CA's Prop8, NY's Marriage Equality
- By Antoine Craigwell
- Published 01/1/2009
- Gay Local Community
- Unrated
Same-sex marriage and rights in NY
By Sr. Correspondent, Antoine Craigwell
(New York, NY) Across the city last week, two events seemed to go unnoticed: a discussion among African-Americans on California's Proposition 8 with a viewing of Debra Wilson's film Jumpin the Broom, and an informational discussion of three bills coming up before the state's Assembly and Senate in the 2009 legislative session.
| At the first event, held on Thursday, Dec 18 at the Lesbian, Gay, Bisexual and Transgender Community Center (LGBT), and hosted by Queer Black Cinema (QBC), after looking at the movie, there was a panel discussion on the failure of the Black gay community to support same-sex marriage in California. The second event on Friday, Dec 19 was held at the Queens Pride House in Jackson Heights and was hosted by the state's gay organization, Empire State Pride Agenda (ESPA). As part of their community outreach, ESPA was targeting Queens to provide information and discuss the Marriage and Same-Sex Couples in New York Act, Dignity for All Students Act, and the Gender Expression Non-Discrimination Act. |
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Debra Wilson |
| At the LGBT Center, close to 30 people gathered in Room 410 to watch Wilson's film which presented interviews with Black gay men and women in same-sex relationships, the state of those relationships and especially the challenges they experienced.
Organized by Angel Brown, executive producer and programmer, QBC; and Kawana Bullock, QBC co-founder, the two panelists, Kenyon Farrow and D.J. Baker discussed with the audience what happened to Proposition 8 in California Farrow, an organizer, communications strategist, and writer on HIV/AIDS issues, prisons, and homophobia, in his opening remarks explained what Proposition 8 and it's ramifications for Black LBGT in New York. He said that while he didn't want to talk about the people who supported Prop 8, he said that after the elections an examination of the exit polls showed that 70 percent of Californians voted in favor of the bill, but that later reports revealed that the number of people who supported the bill, about 50 percent, was more in line with those in other states. |
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NYC LGBT Blacks Celebrate Kwanza
- By Antoine Craigwell
- Published 12/30/2008
- Gay Local Community
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A celebration of life, love and hopes, and food.By: Sr. Correspondent, Antoine Craigwell
Photography by: Althea Smith
(New York, NY) On an alter was a kinara with seven candles, three green, three red and one solitary black in the middle; an African statuette and a varied collection of fruits. Close to 300 people gathered for the 21st Annual Black Lesbian, Gay, Bisexual and Transgender (LGBT) Kwanza celebration, which was held on Dec 27, in the Michael Lerner room at the LGBT Community Center. The celebration was the culmination of a day of activities which included an African market, a cultural program and a Karamu or community feast.
| Above: Kwanza altar with kinara and fruits. Below: Members of the Akoben Drumming Circle |
| During the cultural celebration, the program of events was hosted by Leslie "Buttaflysoul" Taylor, poet and spoken word artist and Fabian Burrell, writer and founder of Aziza Public Relations; and featured drumming performances by the Akoben Drumming Circle, a dual invocation by Rev. Joseph Tolten, pastor, Rehoboth Temple Christ Conscious Church (RTCCC) and Rev. Gale Jones, pastor, Renewed Life Ministries; cultural expressions by singer and song writer Nedra Johnson, entertainer DC Carpice, also known as Pat Cleveland, and performance artist Diamond Saunders; presentations of the seven principles by members of the community, and a key note speech by Marjorie Hill, Ph.D., CEO, Gay Men's Health Crises. |
| This year's Kwanza celebration was presented by a collection of 13 community-based organizations, which included: ADODI, New York; African Ancestral Lesbians United for Societal Change; The Audre Lord Project; The Black Men's Xchange, New York; Circle of Voices, Inc.; FIERCE; Freedom Train Productions; Less AIDS Lesotho; None on Record: Stories of Queer Africa; RTCCC; Sistahs in Search of Truth, Alliance and Harmony; Sistas of Caribbean Ancestry; and The Inner Child Experience.
Eugene Howell, an ADODI faciliator, said that his organization, like many of those presenting the celebration contributed time to planning and financial support. In the past, he said, while the celebration was mainly heterosexual, it is now more applicable to the LGBT community. |
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World AIDS DAY: Black AIDS Institute 8th Annual "Heroes In The Struggle" Awards
- By Antoine Craigwell
- Published 12/12/2008
- HIV & AIDS News
- Unrated
"Black Men Honoring Black Women"
By Antoine Craigwell
(New York, NY) "The woods are lovely, dark and deep/But I have promises to keep/And miles to go before I sleep," Robert Frost (1874-1963) from Stopping by Woods on a Snowy Evening - echo poetically the state of HIV and AIDS globally. Coming out of the darkness and depth of ignorance, poverty, stigma, insufficient funding, discrimination, and death from AIDS that promises were made by leaders of communities and nations worldwide to work toward the eradication of HIV/AIDS.
At a World AIDS Day commemoration held at Jazz at Lincoln Center, the National Black AIDS Institute, 8th Anniversary "Heroes In The Struggle" (HITS), presented a photographic tribute of African Americans who have made outstanding contributions in the fight against HIV/AIDS.
| First presented on World AIDS Day, Dec. 1, 2001, HITS is a photographic exhibit of men and women who have worked assiduously in the fight against HIV/AIDS and has traveled around the country, to raise awareness, challenge individuals and institutions to get involved in their communities, and generate critical conversations about HIV testing and treatment. With its theme "Black Men Honoring Black Women" the AIDS Institute honored women nationwide who are leaders in the fight against HIV/AIDS with awards to Sandra Evers-Manly, president, Northrop Grumman Foundation; Marjorie Hill, Ph.D., CEO, Gay Men's Health Crises; U.S. Representative Barbara Lee (D-CA); Debra Lee, CEO, BET Networks; Bev Smith, host, The Bev Smith Show; Dr. Kimberly Smith, Boston, Massachusetts-based psychologist; Andrea Williams, AIDS activist; a corporate award to John Demsey, chairman, MAC AIDS Fund and group president the Estee Lauder Group of Companies; and a posthumous award to NYC Councilman, the late Philip Reed who died on Nov 6, and accepted by his twin sister, Elinor Reed. |
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"…I see your True Colors…"
- By Antoine Craigwell
- Published 11/23/2008
- Youth
- Unrated
Cyndi Lauper's song names NYC LGBT homeless youth residence.By Antoine Craigwell
(New York, NY) While debates and protests intensify over California's Proposition 8, and the marriage and constitutional amendments nationwide, there is a project in New York City addressing the issue of homeless lesbian, gay, bisexual and transgender (LGBT) youth.
| After attending a forum on homeless LGBT youth and hearing a number of these young people speaking of their experiences living on the streets and the horror stories they had encountered while in the Department of Homeless Service shelters because of who they are, an idea popped into the head of Colleen Jackson, executive director, West End Intergenerational Residences. | ||
| "I knew there had to be something that could be done, but I also knew that another shelter was not the answer," said Jackson. In May 2007, while organizing a fundraiser and honoring 1980s superstar Cyndi Lauper, Jackson discussed with Lisa Barbaris, who for several years was a volunteer with West End and is Lauper's publicist, about the True Colors tour and how one of the tours addressed the plight of homeless LGBT youth. Through the connection with Barbaris, Lauper and Jackson discussed providing housing for the "kids." | ||
| Cyndi Lauper | Colleen Jackson | |
| "I looked at her [Lauper] and it all came together in my mind, real permanent housing and I knew this would really work. This I knew how to do and with Cyndi's commitment, though we haven't started building as yet, she has been promoting it," Jackson said. True Colors Residences is permanent housing for homeless LGBT youth, named after Lauper's song "True Colors:" "… I see your true colors/shining through/I see your true colors/and that's why I love you/so don't be afraid to let them show/your true colors/true colors are beautiful/like a rainbow." | ||
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Inaugural HIV+ High School Scholarship Awards Gala
- By Antoine Craigwell
- Published 11/23/2008
- HIV & AIDS News
- Unrated
Lorenzo Jackson Foundation and Rush Arts Gallery honors HIV community activists and leaders.
By Antoine Craigwell
(New York, NY) When the Chelsea-based Rush Arts Gallery (RAG) hosted the Lorenzo Jackson Foundation (LJF) first annual awards gala on Wednesday, November 19, to honor leaders in the community and to present college scholarships to HIV-positive high school students, it seemed as if it had begun the Dec 1, World AIDS Day celebrations two weeks early.
| Rush Arts Gallery | |||
| In a program that included awarding honors and speeches by community activists, Alexander Everett, founder and executive director of Alex: The Magazine, and LJF founder and CEO, welcomed close to 150 invited guests which also included author and award-winning HIV/AIDS activist, Maria Davis; | |||
| Dr. Jeffrey Birnbaum, director of Brooklyn-based Health Education Alternatives for Teens (HEAT), honored for his work and commitment to educating youth on HIV/AIDS; entertainers Lee Carr, a Jive Records artist; 12-year old Curtis Anderson called "Baby Triggy," a young Hip Hop recording artist; and co-mistress of ceremonies singer Mashonda, and actress Chyna Layne. | |||
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Baby Triggy | |||
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NYC's Black Gay Community Meet For Mixer
- By Antoine Craigwell
- Published 11/3/2008
- Gay Local Community
- Unrated
Prelude to a panel discussionBy Antoine Craigwell
(New York, NY) - When close to 100 African-American men and women gathered at the New York's Lesbian and Gay Community Center on Wednesday, October 29 for a social networking and panel discussion on "The Future of Black Gay New York City," it was the result of a successful email and word-of-mouth advertising.
The organizers of the networking mixer and panel discussion, Randall Isaacs, principal and founder, Festa Events by Chelsey, an event planning company; Cornelius Jones, Jr., CorneliusJonesJr.com, star of an autobiographical one-man performance "Flag Boy" and formerly of the Broadway production of The Lion King; and Nathan "Seven" Scott, promoter and life coach, Ngenius Empire TV.
| Participants at the "Future of Black Gay NYC" networking mixer and panel discussion held at NYC's LGBT Center, Wednesday, October 29. Photo: Dontre Conerly. |
| Music from a pair of speakers seemed timed to coincide with the doors opening at exactly 6:30pm for the people who had gathered in the hallway. After paying a $10 admission fee, each person was greeted by a volunteer and one of the organizers, who encouraged everyone to mingle and get to know each other. According to Jones, the organizers hoped to have a high turnout of Black gay men interested in moving forward in their community though sharing in positive dialogues of their experiences. The network mixer, he said, was intended as another outlet for Black gay men to socialize and rebuild the community instead of going to a happy hour or a club. "We want to give a rebirth to the Black gay community," he said. But, taking a break from greeting people and performing introductions, Scott said that he had become frustrated with the night life and party scene in New York City. "As I got older I realized I wanted something more. I think this type of event is for the distinguished Black man and it is a springboard for other events," he said. |
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Panel discusses issues of NYC's Black Gay Men
- By Antoine Craigwell
- Published 11/2/2008
- Gay Local Community
- Unrated
Identity and Acceptance, Age and Youth, HIV and Community
By Antoine Craigwell
(New York, NY) - After sipping on red and white wine, sampling from cheese platters, introducing themselves to each other and exchanging business cards, close to 100 Black gay men and women gathered on Wednesday, October 29 at New York City's Lesbian, Gay, Bisexual and Transgender Community Center (LGBT), for a panel discussion on the "Future of Black Gay New York City."
| Hosted by three entrepreneurs: Randall Isaacs, principal and founder, Festa Events by Chelsey, an event planning company; Cornelius Jones, Jr., CorneliusJonesJr.com, star of an autobiographical one-man performance "Flag Boy" and formerly of the Broadway production of The Lion King; and Nathan "Seven" Scott, promoter and life coach, Ngenius Empire TV; the panel discussion networking combination was a teaser to gauge the interest of Black gay men and women around the city for future events and to begin to look at how HIV and AIDS is affecting the Black gay community in New York City and at the relationship Black gay men have with it. |
| (L. to R.) Panelists: De'von Christopher, publisher, Bleu magazine; Rob Smith, co-host and executive producer, Mocha Lounge; Nathan "Seven" Scott, panel moderator, promoter and life coach, Ngenius Empire TV; Rev. Joseph Tolton, pastor, Harlem-based Rehoboth Temple Christ Consciousness Church; and Cornelius Jones, Jr., actor; at the panel discussion. Photo: Dontre Conerly. |
| Scott, the panel's moderator introduced the panelists: Jones; Rev. Joseph Tolton, pastor, Harlem-based Rehoboth Temple Christ Conscious Church, and managing director of Blur Advertising; Yves Michel Fontaine, a doctoral candidate in the Department of Health and Behavioral Studies at Columbia University; De'von Christopher, publisher, Bleu magazine; and Rob Smith, co-host and executive producer of Mocha Lounge, a blog that focuses on gay men of color in the media. |
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Art Off The Main - Artists of color gather for annual exhibition
- By Antoine Craigwell
- Published 10/19/2008
- Art
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By Antoine Craigwell. Sr. Correspondent
New York, NY - Originality, ingenuity, creativeness, inspiration from life, versatility and difference, and longevity as artists better describe the works of over 300 artists and 40 galleries represented at the 5th Annual Art Off The Main exhibition held from October 2 to 5 at the Metropolitan Pavilion in Chelsea.
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| For four of the five years Art Off The Main exhibition was held at the Puck Building, but this year, due to renovations, the exhibition was relocated to the artsy Chelsea exhibition gallery on West 19th Street. |
| Curator and producer of the exhibition, Loris Crawford says that prior to holding this type of exhibition, not many opportunities existed for artists of color to show their work, and with hundreds of art fairs in the U.S., Art Off The Main is one of the only shows to fill that void.
This year is special, she adds, due to the large number of galleries that have entered the show, including the National Gallery of Nigeria, galleries from Mexico and Cuba and from across the U.S. compared to previous exhibitions. On its opening night, the exhibition attracted more than 400 guests. |
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| "The exhibitors, as studios, collectives and individual artists brought their work to show that they can be taken just as seriously as and be placed alongside other mainstream artists.
Like in all events, a person will find work that is exceptional and others as average. One of the things we endeavor to maintain in the show is in the quality of the work which we select by looking at the artists we invite to participate," |
says Crawford who is also the curator and owner of Savacou Gallery.
Featured artists at the exhibition included Michael Escoffrey, the Caribbean Cultural Center, bronze sculptures "They Are Waiting" by Nnamdi Okonkwo Studios, Dick Griffin Studios, En Foco, Inc., Diaspora Now/Caribbean Arts, Arte Inversion Galleria of Puerto Rico, and the International Cultural Exchange. |
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| An artist, Lawrence Graham-Brown, originally from Jamaica, who lives in New Jersey, and who has been an artist for over 20 years, says his acceptance of his sexual orientation and expression in his work is without attachment to labels of himself. He recalled that when he first showed his work in Jamaica, he received a lot of resistance from lawyers and from the board of directors of the National Gallery. "My style is based on race. I work within the themes of race, gender, class and sexuality, using mediums such as mixed collage which include images of people, post cards, feathers and found objects," says Graham-Brown. One of his signature pieces, done between 2006 and 2007 and titled "Fuck Off With The Beast Of Burden," is a mixed media collage oil on canvass with laser prints bordering the image of a man copulating with another in chains and drawn in black lines on an all white background; employing a minimalist perspective and simplicity with his work. The inspiration for this piece, he says, stems from his knowledge of the Black man who is relegated to a life of servitude and a beast of burden and is sexually abused from behind by a representation of a white man, the exploiter. |
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House of Latex Ball - 18th Annual GMHC Sponsored Event
- By Antoine Craigwell
- Published 09/27/2008
- Gay Local Community
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Rating:




By Antoine Craigwell
Channeled by the confines of police crowd control barricades, a line of people extended from the front of the Roseland Ballroom on West 52nd Street on Saturday, August 23. Snaking around the corner to Broadway those in line waited patiently for security clearance to enter the Ballroom for Gay Men's Health Crisis' (GMHC) 18th Annual Latex Ball.
| In the history of Balls and Houses, according to Bill Stackhouse, director of the Institute at GMHC, the event sponsor, this Ball was the means by which this health support non-profit agency for the gay, lesbian, bisexual and transgender (LGBT) community could provide education about safer sex practices. It is one in a series of Balls which are the showpieces of different Houses and is an event, based on the fashion and behavior of the Harlem Renaissance, the artistry of "vogue-ing," and in the participation in different fashion related categories. At the Ball, LGBT men and women competed by strutting, gliding and sashaying on a runway to a mixture of techno and house music and to the raucous and derisive comments from the announcers and judged by a nine-member panel representing various areas of fashion and LGBT life in the city.
Competing for prizes, those who walked the runway, chose to dress representing different periods, from the 1950s button-down shirts and cardigans to loose or tight fitting clothes simulating the punk rock era. |
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New York Caribbean Institute blasts NYPD over Brooklyn arrests
- By Antoine Craigwell
- Published 08/10/2008
- Crime
- Unrated
By Antoine Craigwell
New York: The New York think tank, the Caribbean Guyana Institute for Democracy (CGID) has condemned as Police abuse, the July 17th arrest of Guyanese-American Richard Fraser and his friend, Trinidadian-American, Jeremy Phillips, by NYPD narcotics officers attached to the Brooklyn South Task Force. The Institute said the two were unjustly and unlawfully arrested.
On July 17th, 2008 Fraser and Phillips, while awaiting the bus at the intersection of Avenue N and Utica Avenue in Brooklyn, witnessed several plain clothe Police officers rush into a store, tackled a young black male to the floor and then dragged him from the store on to the roadway. Fraser, upon seeing the young man being maltreated, turned on his phone camera and began to record the incident.
When the officers realized that they were being recorded, one went over to Fraser and demanded that he prove that he is a United States citizen, telling him that he was obstructing a Police investigation and that he would be arrested for obstructing a government agent, if he did not give up the video recording. Fraser refused and was arrested. During this arrest he allegedly sustained injuries. A videotape of an aspect of this incident can be viewed...
As the officers attempted to effect Fraser's arrest, he threw his cell phone to Phillips for safe keeping. However,once the officers had handcuffed and placed Fraser into a Police van, they then turned their attention to Phillips. They demanded that he also produce identification to prove that he is a United States citizen and that he hand over Fraser's phone to them. Phillips produced his New York State "drivers" license but refused to surrender the phone. He too was then arrested and placed in handcuffs. Fraser's phone was also forcibly confiscated. Once the officers seized Fraser's phone from Phillips, he was releasedon the scene.
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Flag Boy - a solo play of acceptance and of identity
- By Antoine Craigwell
- Published 07/5/2008
- Theatre
-
Rating:




By Antoine Craigwell, Sr. Correspondent
(New York, NY) - As if dedicating July to the celebration of America's independence, the solo play, Flag Boy, set to play with a first show on July 14, at 6:30 p.m., for three shows, is also a celebration of the liberation and establishment of the French Republic on Bastille Day.
Directed by Josh Ian, Flag Boy will open at the Eagle Theater, located on 347 West 36th Street, ground floor, New York, NY. It is part of the Midtown International Art Festival. After the opening, a second show will be held on Sunday, July 27, at 12:45 p.m., and the third show on Friday, August 1 at 6 p.m. Tickets are $18.00.
The show is exactly one hour, without an intermission. Jones will also be doing a benefit performance on July 27 for the 3Lions Stage Theater Company, and a single performance on September 18, at 8 p.m. at the Christina Cultural Arts Center in Wilmington, Delaware.
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Flag Boy - behind its name
- By Antoine Craigwell
- Published 07/5/2008
- Theatre
- Unrated
By Antoine Craigwell
(New York, NY) - Former Broadway actor, Cornelius Jones, Jr., who after six years with the Lion King, is making a comeback with his solo-autobiographical play, Flag Boy.
For Jones, the play is an affirmation of his identity as a Black gay man. It is two stories: a young boy's journey toward acceptance of himself and his sexuality, and about a flag - a gay flag, a country's flag and the symbolism that goes with flags - the sense of identity and pride.
| Flag Boy will be performed on July 14, at the Eagle Theater, located at 347 West 36th Street, ground floor, New York, NY, and is part of the Midtown International Art Festival. It is directed by Josh Ian. A second show will be on Sunday, July 27, at 12:45 p.m., and a third show on Friday, August 1, at 6 p.m. Tickets are $18.00.
Recalling, a vignette in the play, a life experience from which the title was born, Jones says that when he was in the ninth grade, about 13 or 14-years old and around 1991 to 1992, he wanted to be in the auxiliary team of his school's marching band - whose members were the pompom girls, majorettes, flag girls and rifle boys. Jones became a rifle boy. But, it was the band director, Mrs. Martin, who made every one in the auxiliary team learn to handle flags. |
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Tara's Crossing: Persecution and Immigration: A modern play of survival against odds
- By Antoine Craigwell
- Published 06/28/2008
- Theatre
- Unrated
By Antoine Craigwell
As the night deepened, getting closer to 11:30pm, a group of people marched brazenly into and headed toward the back of Gemini's Lounge on Liberty Avenue in the Richmond Hill section of Queens, NY and proceeded to enjoy the pulsating mix of calypso, reggae and Indian chutney music. The crowd at Gemini, a mix of straight, bi-curious and gay and lesbian men and women, is mostly of East Indian descent from Guyana, the only English-speaking country on the northeast coast of South America.
In a black dress and dancing with her friends was Vermal Persaud, an incomplete transsexual of Indian descent originally from Guyana.
Vermal, as she prefers to be called, had come from a one-time performance of the play, Tara's Crossing, at the Richmond Hill High School on Saturday, May 17 and which told the story of her experience as a young boy struggling with his sexual identity, persecution in the countryside and in Georgetown, Guyana's capital, to asylum seeking and detention in the U.S, in Miami and Elizabeth, New Jersey. Along with some of her closest friends, the play's cast, and with the play's writer, director and producer, Vermal twirled and danced to the music blaring from two large speakers.
"Although the play does tell my story, it only tells of my experiences when I arrived in the U.S. and not of my complete experience back in Guyana," said Vermal shimmying and gyrating to the music as if she was casting off the memories of the pain she had endured.
As she explained, the name "Tara's Crossing" was taken from the Hindi word for star, which she attributes to her experience and likening to a star crossing in the night sky.
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