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    By Suzette Parmley
    Philadelphia Inquirer

    Wanted: Well-traveled, technologically savvy, energetic African Americans to sample the City of Brotherly Love's nightlife, culture, and rich history.

    To get those travelers here, the Greater Philadelphia Tourism Marketing Corp. is launching an aggressive campaign today called Philly 360. While the tourism group has marketed to African Americans since 1997, this is the first time it is targeting the emerging and coveted group of urban African Americans under 40 who travel.

     

     
    Philadelphia's "creative ambassadors" (from left): Ethel Cee, Rakia Reynolds, Stacey "Flygirrl" Wilson, Rah Crawford, Syreeta Scott, Tayyib Smith, Rich Medina, and Khari Mateen. As part of the marketing campaign to attract young, affluent African Americans, they represent what the city offers in arts, culture, film, and business. Photo by Ron Tarver
     
    "It's not to make us Atlanta. We want to have the buzz of Atlanta," said Patricia Washington, vice president of cultural tourism for the marketing firm. "Philly has a lot that it can deliver."

    Recent studies show African American travelers were getting younger and more affluent.

    African American buying power was at $913 billion last year, or 8.5 percent of all U.S. buying power, up from 7.4 percent in 1990, according to the Selig Center for Economic Growth.

    Nationwide, African American travelers are more likely to have been born between 1955 and 1981; they are quick to adopt mobile technology; and they often seek out urban travel experiences rather than rural areas, according to a May 2009 joint report by the U.S. Travel Association and YPartnership.

    The campaign is called Philly 360 because it aims to give visitors a full, 360-degree view of all the city offers. Its goal is to get Philadelphia on the list of hot spots for African Americans, joining destinations such as Atlanta, New York, Baltimore, Washington, and Miami.

    Perhaps the tourism group's biggest marketing tool is its "creative ambassadors" - nine trendsetters in the local arts, culture, film, and business community who were chosen by the marketing firm in February as the campaign's first faces.

     

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    Fulfilling promise, Black gay organization gives back to community

    By Sr. Correspondent, Antoine Craigwell

    (New York, NY) -Seven people gathered in the early afternoon on Sept 17 for a check presentation ceremony in the 11th floor conference room of a west mid-town NYC office. James Wellons, Esq., CEO of Fire Island Blackout (FIBO), a Philadelphia, PA-based company, presented a $2,000 check to Carl Siciliano, founder and executive director of the Ali Forney Center (AFC), a non-profit organization dedicated to providing shelter and services for homeless lesbian, gay, bisexual and transgender (LGBT) youth around the city.

     

     
    Carl Siciliano (left), founder and executive director, AFC accepts donation from James Wellons, Esq. (right), CEO, FIBO. Photo by Antoine Craigwell
     
    The check donation was the fulfillment of a FIBO promise to give to worthy organizations from the proceeds generated from this year's summer beach event on Fire Island, the first since holding beach parties in 2002.

    Wellons said that while the donation was unrestricted, could be used for whatever purpose the AFC had in mind. A separate contribution of $500 was also made to the Doctors Fund of Fire Island to assist with medical services on the island.

    It is hard being a teenager, it is even harder being a gay teen, and finding places to go for refuge and for safety are difficult to locate, he said, is the reason for the donation to the AFC.
    "As we expand FIBO and the event becomes more successful, we plan to donate to other agencies committed to lesbian, gay, bisexual and transgender issues," said Wellons.
     
    Carl Siciliano, founder and executive director, AFC; James Wellons, Esq., CEO, FIBO; and Steve Gordon, manager, Crisis Center, AFC. Photo by Antoine Craigwell
     
    Sciliano said that he is grateful for the donation from FIBO, that AFC really needs all the help it could get. The donation he said assists with paying rent for one of the transitional housing apartments the organization runs for homeless LGBT youth. AFC, he said, needs to raise close to $30,000 just to pay rents for the properties the organization use, but he added that this time of the year is particularly challenging, since the organization receives funds from the City, it is on a reimbursable basis, which means that AFC has to "front" most of their payments and wait for vouchers to be repaid. To date, he added, contracts with the city have not been signed and as such the organization has expended thousands of dollars and waiting for the city to honor repayment vouchers.

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    Atlanta Gay Bar Raided, Harassment Seen

    By Matthew Cardinale
    The Atlanta Progressive News

    (September 11, 2009) ATLANTA -- At approximately 11:30pm on Thursday, September 10, 2009, a gay bar in Atlanta, the Atlanta Eagle, was raided by the Atlanta Police Department (APD). The present writer for Atlanta Progressive News--who had come to the bar to dance--witnessed as several bar staff, male dancers, and patrons were arrested between approximately 12:30am and 1am and taken away in paddy wagons, but it is not immediately clear why. One source stated he believed it was because the bar did not have a license for the dancers, but that would not explain why some patrons were also arrested.

     

    About ten police cars and about 15 cops raided the bar, allegedly looking for drugs.
    However, the police were said to have ordered all patrons to get on the ground--including patrons who were just dancing or standing at the bar--and numerous patrons said people were handcuffed indiscriminately.

    Bar patrons were furious at the aggressive and indiscriminate treatment and called the incident "harassment."

    Patrons also stated that at least three undercover cops were present. One patron stated he knew this because he saw the undercover police first without their badges, mingling with the crowds, and then again with their badges on.

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    West Indian Parade, Brooklyn 2009

    By Ocean Morisset

    The Annual West Indian day Parade never disappoints. Music, food, parade, festivities, and everything in between Eastern Parkway, in Brooklyn and the smallest village in Trinidad, is on full display at New York's largest parade. From a photographer's standpoint, it's challenging yet fun to capture all the images of this parade. Challenging because of the enormity of the crowd, and everything happens in a flash, you have to be quick! But it's also fun, because there is so much to photograph. 


    I've been going to the West Indian Day Parade since I was a kid growing up in Crown Heights, Brooklyn, where the parade begins. I have fond memories of going as a family, sitting on my dad's shoulders to view the vivid display of costumed revelers gyrating to the beats of island music. We also used the opportunity to sell items like leather handbags made in Haiti, records, and anything else we wanted to get rid of, because with a crowd of a million or so people, we were sure to sell our wares.

    This year, I went as the lone photographer, seeking to capture an aspect of my West Indian heritage and to share in the pride. While the parade is many things to many people, to me, it's a day to celebrate West Indian heritage, culture and pride, embracing our rich history and paying homage to our not-so delicate past. All in all, it was a great day. From the 400 photos taken, I've edited down to this lot. Hope you enjoy them!

     
    Colorful costumes and masqueraders are a highlight of the West Indian Day Parade.
     
     
     


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    Celebrating James Baldwin

    Commemoration of his 85th birth anniversary

    By Sr. Correspondent,  Antoine Craigwell

    (New York, NY) - The quote from James Baldwin, "Those who say it can't be done are usually interrupted by others doing it," was repeated, for effect and as a testament of accomplishment, by George Faison, co-founder and artistic director of the Faison Firehouse Theater, in his introduction and welcome at the celebration commemoration of Baldwin's 85th birth anniversary on Aug 2.

     

     

    Helen Baldwin, wife of the late Will Baldwin, sister-in-law of James Baldwin. Photo by Antoine Craigwell

    Organized by Faison and Tad Schnugg, co-founder of the Theater, with guest and press coordination handled by Richard Pelzer, III, Mega Management, Inc., the celebration at the Theater was standing room only as each of the house's 120 seats were taken. Making presentations, including tributes in song, excerpts from Baldwin's work and reminiscences of him, a panel of personalities included poet and playwright Amiri Baraka; writer, playwright and poetess Sonia Sanchez; Andre Leon Talley, editor-at-large, Vogue Magazine; James Baldwin's immediate relatives, his sister-in-law Helen Baldwin, wife of Will Baldwin, and nephew, Trevor Baldwin; Alexa Birdsong, who had studied under Baldwin; Herb Boyd, writer; Prof. Eleanor Traylor, chair, English Department, Howard University; and Genovis Albright, singer and musician.
    George Faison  Photo by Antoine Craigwell
    According to published biographies, James Arthur Baldwin was born on Aug 2, 1924 and died of suspected stomach cancer on Dec 1, 1987. At the time of his death he had seen much, written much and had become a leaven in the discourse on African-American issues.

    He was among many accomplishments a novelist, an essayist, a playwright, scriptwriter, director, poet, filmmaker, college professor, and a lecturer, His works include Go Tell It On The Mountain (1953), Giovanni's Room (1956), Another Country (1962), Fire Next Time (1962), and Just Above My Head (1979); his plays include Blues for Mister Charlie (1964) and Evidence of Things Not Seen (1986).

    Trevor Baldwin-James Baldwin's nephew. Photo by Antoine Craigwell

    The evening's program also included piano accompaniment by Deval Crawford and performances by several young people, who Faison referred to as his protégés and of the Theater, and who did both spoken word and song presentations.

    Highlights of the evening were the occasions when Sanchez, Baraka, and Traylor shared with the audience their memories of Baldwin, and read from works they had previously written that paid tribute to the work, the passion and the activism, as they understood him and as he perceived he was understood by the Black community.

    Baldwin's sister-in-law said that while she and her son Trevor were the only two representing the family at the celebration, she apologized for the absence of Baldwin's brother George, who was hospitalized, and for two of his sisters, Barbara and Ruth, who were ministering to him.

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